Tag Archives: Sarcophagus

Paul’s Shipwreck on Malta — Casting The Anchors and Dinghy

Acts 27:27 . . . about midnight the sailors began to surmise that 1they were approaching some land. 28 And they took soundings, and found it to be twenty fathoms; and a little farther on they took another sounding and found it to be fifteen fathoms. 29 And fearing that we might run aground somewhere on the rocks, they cast four anchors from the stern and wished for daybreak.

The captain and sailors on Paul’s ship found themselves in a very dangerous situation that called for a desperate measure—the casting of the “storm anchors” into the raging sea.

Please note, that under normal circumstances (relatively calm harbors) they would use “composed anchors” to secure the ship.

Two Composed Anchors on display in the Hecht Archaeological Museum in Haifa, Israel. Click on image to Enlarge and/or Download.

A “Composed Anchor” is made out of a large chiseled stone and has at least three holes in it. A rope was tied in the upper hole—to lower and hoist the anchor—and wooden stakes were inserted into the two lower holes in order to grip the sea bottom. These anchors weighed between 45 and 170 pounds and could be lowered and hoisted by one or two seamen.  This type of anchor was used from the late second millennium BC on.  Please note that this type of anchor would not be able to secure the large Alexandrian Grain Ship in a raging sea!

Acts 27:40 “And casting off the anchors, they left them in the sea.

These four anchors were very large and were “storm anchors.”  The “Isis – Sarapis” anchor stock found by Mark Gatt would be an example of this (as would the 3.5-ton anchor stock discovered in the same general area).

A replica of the “Isis – Sarapis” anchor discovered by Mark Gatt.

In this area please note that five “storm anchor” stocks were found that weighed 200, 489, 117, 500 pounds and the 3.5-ton stock plus the massive “Isis Sarapis” stock (Gatt p. 98 citing Scicluna).  These types of anchors were very heavy and were the last hope of securing a ship during a storm—both because of their weight and especially being fastened to the sea bottom.  But, once the storm anchors were cast overboard, and they were once secured on the seabed, they could not be lifted back on board, so they had to be abandoned!  As Acts 27:40 says, “And casting off the anchors, they left them in the sea.

On the map note “Ancient Anchors.” This is where Scicluna noted all the relevant anchor stocks.  They had been abandoned as described above.

Acts 27:29 “they cast four anchors from the stern

The bow of a cargo ship with two “storm anchors” secured in place.

On this model the huge storm anchors are lashed onto the bow of the boat, ready to be deployed in a storm.  Under normal circumstances, the anchors would be lowered from the bow (see photo above) to secure the ship.  This would mean that the bow would be facing the oncoming waves because that would be the best way to deflect the waves and to ride out the storm.

But Acts 27:29 says they were lowered from the stern!  Gatt graphically describes how he thinks they were lowered and then the sailor had to quickly run, with ropes in hand, to secure them to the stern of the boat.  Gatt credits the wisdom of the captain in doing this, for this meant that the bow of the boat was facing the shore and it would be much easier to run it aground—once the time had come to abandon the storm anchors!

Acts 27:29 And fearing that we might run aground somewhere on the 1rocks, they cast four anchors from the stern and wished for daybreak. 30 And as the sailors were trying to escape from the ship, and had let down the ship’s boat into the sea, on the pretense of intending to lay out anchors from the bow, 31 Paul said to the centurion and to the soldiers, “Unless these men remain in the ship, you yourselves cannot be saved.” 32 Then the soldiers cut away the aropes of the ship’s boat, and let it fall away

A sarcophagus that has a sailing ship and its “dinghy” engraved in bas relief.  The projection on the bow of the boat, on the left, may be a SSS sail, OR it might be a representation of a “storm anchor” with its anchor stock.

In the archaeological museum in Sinope Turkey, on the Black Sea, is a sarcophagus that has a sailing ship and its “dinghy” engraved in bas relief.  Behind it there is a small vessel, with a sail, that may be in tow.  Might this be a “dinghy” like the one described in Acts 27:30?

The Apostle Paul, and companions, may have sailed on such vessels. Note the steering oars at the stern of the ship, the billowing mainsail and what looks like a jib (Gatt, p. 18 calls this an “artemon”) near the bow of the boat—or could this represent a storm anchor with its anchor stock? Even the guy-lines are visible in the image.  An inscription on the sarcophagus reads: “Cornelius Arrianus is lying here. His age is 60.”

A line drawing of the bas relief on the sarcophagus in the museum in Sinope.

Alternatively, note that the “dinghy” has a  billowing sail and thus might be a second ship that is being depicted as being in the distance—and thus is smaller than the nearer vessel.


For information on our April/May 2022 trip to Malta, Sicily, and Italy Click Here.

For a complete discussion of the shipwreck of Paul see Mark GattPaulus The Shipwreck 60 A.D.  Second edition, 2017.  Malta: Allied Publications.

For a good discussion of the shipwreck, ancient anchors, etc.,  and a vigorous interaction with the views of Robert Cornuke, see Gordon Franz “Does the ‘Lost Shipwreck of Paul’ Hold Water?  Or, Have the Anchors from the Apostle Paul’s Shipwreck Been discovered on Malta?”

Have you ever seen a Human Sacrifice?

On our trips Following in the Footsteps of Paul on one of the days, we visit Alexandrian Troas—its agora, harbor, and one of the quarries.  After lunch, we visit Troy, which is our last antiquity site we visit in Turkey, before crossing into Greece on the next day.

This year at Troy, the new museum was finally open.

The entrance to the New Museum near Troy.

The museum was opened in October 2018.  In the museum displays include sculpture, sarcophagus, inscription, altar, milestone, ax and cutting tools, terracotta ceramics, metal pots, golds, guns, coins, bone objects and tools, glass bracelets, ornaments, figurines, glass and terracotta scent bottles, etc.

Some of the precious objects from Troy that were previously on display in the Istanbul Archaeological Museum and in the Museum of Anatolian Civilizations in Ankara have been returned to Troy.

The interior of the Museum at Troy. Bookstore and coffee shop.

Objects from Assos, Alexandria Troas, the Smintheion, etc. are also on display.  Below is a sample of what the displays look like.

The Polyxena Sarcophagus.

This sarcophagus was discovered in 1994.  It is dated to 500-490 B.C.  On one of the long sides the sacrifice of Polyxena, the younger daughter of the Trojan King Priam and Queen Hecuba is depicted.

The sacrifice of Polyxena, the younger daughter of the Trojan King Priam and Queen Hecuba. Click on image to enlarge and/or download.

Note the detail on how the human is being carried and the positioning of the knife as it is inserted into the throat.  This is not the “mere” execution of a prisoner, but a purposeful sacrifice of a beloved child in order to propitiate a deity!

Compare, on the Greek side of the Trojan war the fresco from Pompeii.


Compare from the Bible:

1Kings 16:34  In Ahab’s time, Hiel of Bethel rebuilt Jericho. He laid its foundations at the cost of his firstborn son Abiram, and he set up its gates at the cost of his youngest son Segub, in accordance with the word of the LORD spoken by Joshua son of Nun.

2Kings 3:27 Then he [King of Moab] took his firstborn son, who was to succeed him as king, and offered him as a sacrifice on the city wall. The fury against Israel was great; they withdrew and returned to their own land.

King Herod’s Tomb at the Israel Museum

Besides the naval and nature paintings (secco—on dry plaster) at the Israel Museum that I mentioned in my previous post, fragments from the roof of Herod’s Tomb at the Herodium are also on display in the Israel Museum.

HerodiumTombFragmentsOn the left notice the concave roof and on the right one of the acroteria (urn).  For both of these, compare the style of “Absalom’s Tomb” in the Kidron Valley that is slightly earlier in date than Herod’s Tomb.

pillar-of-absalom

“Absalom’s Pillar” (2 Samuel 18:18) in the Kidron Valley. Note especially the “hat” that is similar to the fragments found at the Herodium.  Click on Image to Enlarge and/or Download.

Note, this tomb is NOT from the days of David’s son Absalom (2 Sam 18:18), but was probably constructed in the first century B.C.  It is of mixed styles. The conical-shaped roof is Syrian style, while the columns on the lower portion are of the Greek Ionic style.  Behind, and to the left of, the “Pillar of Absalom,” is the so-called “Tomb of Jehoshaphat.” The grave markers scattered in the green grass are from the “modern” Jewish cemetery on the lower slope of the Mount of Olives.

model-of-herod-s-tombThis is the model of the reconstructed Tomb of Herod that is on location at the Herodium.  Note the “pilasters” (rectangular column–like protrusions) on the base portion and the five “acroteria” (urns) on the roof of it—see one of the originals above.  It is evident that those who made this reconstruction based it not only on the archaeological finds, but also on parallels like “Absalom’s Pillar” above and tombs found at Petra.

For permission to use any images please Check Here.

PetraTreasury01

The Treasury (Khasneh) at Petra. Note on the center top the “urn” (like that found at the Herodium) on the top of the tholos (circular structure at the top of the “temple/tomb”).  Click on Image to Enlarge and/or Download.

The “Treasury” was probably constructed during the reign of the Nabatean ruler Aretas III Philhellene (82-62 B.C.).  Since Herod married a Nabatean woman it is probable that he was familiar with this structure—probably a temple and not actually a tomb.

PetraDeir01

The “Monastery” (Deir; Arabic) at Petra—from slightly after the time of Herod the Great. Click on Image to Enlarge and/or Download.

The Deir, or monastery, was probably built by the Nabatean ruler Malichus (40–70 A.D.)—thus slightly after the time of Herod.  In the upper center of the monument note the rounded tholos and the “urn” (like the one found at the Herodium) on the top of it.

It is also suggested that it dates to the time of King Rebal II in the early 2nd century A.D.  And because of its two side benches in the interior (and altar), that it was used for the meetings of religious associations.

In summary, the near parallel to the “tomb of Herod at the Herodium” is the “Pillar of Absalom” in the Kidron Valley, but its probable predecessor—known to Herod—was the “Treasury” at Petra, and its successor was the “Deir” at Petra.

Did Ehud Netzer discover the “real tomb” of King Herod?  There are significant researchers who think not.  Although Netzer found a significant mausoleum and fragments of sarcophagi, neither the size of the mausoleum and nor the sarcophagi are overwhelmingly impressive—that is fitting for a king of Herod’s ego/stature (see conveniently the summary of Shanks below—and more on the sarcophagus in the next post).

Shanks, Hershel. “Was Herod’s Tomb Really Found?” Biblical Archaeology Review 40 (2014): 40–48.

The “Farmer’s Sarcophagus” An Alternative Interpretation

In a earlier post I presented what I called a “Farmer’s Sarcophaus” that is located in the courtyard of the Antalya (Turkey) Archaeological Museum. (see end of this post for a new possible interpretation).

“Farmer’s Sarcophagus”?  Is it possible that this is an élite person who had the honor, using oxen, to plow the outline of the pomerium for an about-to-be estabished city?

At the time I wrote:

I have seen a lot of sarcophagi in our travels but never one with this theme on it!  Note the farmer plowing with two oxen and two roundels with (evidently) a husband and wife in each of them.  . . .  It is almost refreshing to see such a mundane and common activity represented on a sarcophagus—but it is surprising, for how did a FARMER afford having a stone sarcophagus made??

But in my readings about two months ago, I came across the concept of the pomerium.  What in the world is that?  Well . . .

The pomerium is the name given to the sacred boundary of an ancient Roman city founded with the help of omens.  It consisted of a wall and/or the sacred strip of land between the wall and the city’s outermost building: when a Roman colony was founded a simple ploughed forrow would encircle it n order to define the pomeriium.  Withing the enclosed pricincts, burials were forbidden. (conveniently Blue Guide, p. 88).

Evidently the walls of the city were established on the outer limit of the pomerium and no structures (theoretically) could be built on the pomerium.  In Rome the pomerium defined the limits of the city and there were prohibitions for armed troops to enter the city beyond this “barrior.”

My Musings: Given that sarcophagi were for the elite of society, it now seems more logical to me that what we have on this sarcophagus is an image of an elite “owner” who proudly was the person who was entrusted, with the oxen, to plow the pomerium for an about-to-be established city.

See Here for several reliefs of the plowing of the pomerium.

Alta Macadam, Blue Guide: Rome. Eleventh edition.  London, 2016.

Jewish Presence at Hierapolis (Menorahs)

The important city of Hierapolis is mentioned only once in the New Testament.

Epaphras, who is one of you . . . is working had for you and for those at Laodicea and Hierapolis.
(Colossians 4:12-13; NIV)

Epaphras evidently founded the churches at Colossae, Laodicea, and Hierapolis that are located in the Lycus Valley—possibly during the long stay of Paul at Ephesus.  For a variety of reasons we would expect some type of Jewish presence in these cities.

Although actual synagogues have not been found (Colossae had not been excavated) a variety of menoroth (menorahs; seven branch candlesticks) have been found engraved on tombs, a sarcophagus, and a column indicating a Jewish presence in the area.

TWCSHRNC12

Tomb 163d Dating to the First Century A.D.
Note the menorah (seven branch candelabra) located
to the left and above the green plant
Click on Image to Enlarge/Download

TWCSHRNC10

The family tomb on which the menorah is engraved
The remains of 31 individuals were found in the tomb
Click on the Image to Enlarge/Download

To view Tomb 148b with its very faint menorah and lulav Click Here.

Carl Rasmussen Copyright and Contact

Marble lid of a Jewish sarcophagus with a menorah
and a faint Greek inscription
Click on Image to Enlarge/Download

192_HierapolisMap031026

Herod “The Great’s” Sarcophagus?

Besides the naval and nature paintings (secco—on dry plaster)  and the architectural fragments of the mausoleum that I mentioned in my previous posts, the so called sarcophagus of Herod that is also on display in the Israel Museum.

HerodiumSarcophagus

The Sarcophagus of Herod? Click on Image to Enlarge and/or Download.

The  display of the reconstructed main sarcophagus found at “Herod’s Tomb” at the Herodium.  It appears to be made out of local limestone.  Please notice that it although it is nicely carved with a rosette pattern on the end along with a floral pattern under the gable of the lid it is really not all the elaborate.

Compare for example the following sarcophagus.

alexander-sarcophagus-vs-persians

View of the side of the sarcophagus that depicts Abdalonymos, the person buried in the sarcophagus, fighting the Persians along with Alexander the Great!  From the 4th Century B.C.!  Click on Image to Enlarge and/or Download.[Alexander the Great is the figure on horseback on the far left—Abdalonymos is on horseback in the center]

This sarcophagus was found at Sidon (just north of Israel) in 1887.  It dates to the last quarter of the 4th century B.C.—the time when Alexander fought the Persians at the Battle of Issus in 333 B.C.  Abdalonymos was the King of Sidon at the time.  It was originally painted, and some of the pigments still remain!  The shape of the sarcophagus seems to be representing a temple.  Note the roof tiles, the “downspouts,” and the intricate carved detail!

This sarcophagus was crafted roughly 300 years before the death of Herod—so we know that this type of technology and craftsmanship was known and available to those living in the region of Herod—including Herod himself.  Would Herod really have been satisfied with such a “plain” sarcophagus as that found at the Herodium when the technology and craftsmanship  for something much more elaborate was available?

Again, did Ehud Netzer discover the “real tomb” of King Herod?  There are significant researchers who think not.  Although Netzer found a significant mausoleum and fragments of sarcophagi, neither the size of the mausoleum nor the  sarcophagi are overwhelmingly impressive—that is fitting for a king of Herod’s ego/stature (see conveniently the summary of Shanks below—and more on the sarcophagus in the next post).

Shanks, Hershel. “Was Herod’s Tomb Really Found?” Biblical Archaeology Review 40 (2014): 40–48.

The Farmer Sarcophagus — How Could a Farmer Afford This?

In the magnificent museum in Antalya Turkey there are many beautiful artifacts from sites such as Perge, Aspendos, Side, and others.  Among them are many beautiful sarcophagi such as the following:

SarcophausAntalyaMuseum02

Sarcophagus from Perga in the Antalya Archaeological Museum — Click on Image to Enlarge and/or Download

Note the husband and wife on the lid of the sarcophagus and especially the erotic figures carefully carved on its side!  Many of the sarcophagi are intricately carved like this one!  While waiting to board our bus, I noticed a very plain sarcophagus near the parking lot.

SarcophausAntalyaMuseum03

Note the farmer plowing with two oxen — Click on Image to Enlarge and/or Download

I have seen a lot of sarcophagi in our travels but never one with this theme on it!  Note the farmer plowing with two oxen and two roundels with (evidently) a husband and wife in each of them.  Note especially the detail of the plow and the “ox goad” (1 Sam 13:21; Eccl 12:11; Acts 26:14) in the hand of the plower!  It is almost refreshing to see such a mundane and common activity represented on a sarcophagus—but it is surprising, for how did a FARMER afford having a stone sarcophagus made??

DLPLGP04

Palestinian farmer plowing his vineyard — Click on Image to Enlarge and/or Download

This Palestinian farmer is plowing his vineyard with a plow very similar to the one on the sarcophagus above!  This farmer is plowing in January to prevent weeds from growing.  Also note the vines lying just above the ground.

PlowNeotKedummim02

A student learning how to plow at Neot Kedummim in Israel — Click on Image to Enlarge and/or Download

Jonah and the Great Fish

In recent days there has been a lot of discussion about the James Tabor’s new book The Jesus Discovery (see the web site The Jesus Discovery).  In particular the etching on an ossuary, that some have thought was a fish with Jonah in it mouth—a symbol of early Christianity, is being discussed.

Stone Monument (sarcophagus?) in Konya Museum with a depiction of Jonah and the Fish — Lower portion of the object

In the center note the laurel wreath that surrounds an anchor in the shape of a cross with two fish at its base.  Below it is a depiction of Jonah being swallowed by a large fish—a Christian symbol associated with the resurrection of Jesus (Matthew 12:40).

Besides being interpreted as something similar to the above, the etching on the ossuary has been interpreted as part of a tomb (a nefesh) or a vase of some type (Gordon Franz).  Todd Bolen (Wednesday 29 February 2012) has collected many of the major articles that feature in this discussion.

For more details on the object above Click Here.