Dhahr Mirzbaneh is a site located about 16 mi. northeast of Jerusalem. The hillsides in the area are covered with tombs from the Middle Bronze I Age (2200-2000 B.C.).
Cut Away of MB I Tombs During Construction of the “Alon Road”
View looking northwest. When the “Alon Road” was being constructed in the 1970’s, the construction workers cut through the hillside of Dhahr Mirzbaneh exposing a side, “cut-away,” view of a number of Middle Bronze I (2200-2000 B.C.) tombs. Some scholars place the migration of Abram from Ur to the Land of Canaan during this period.
A perfect “cut-away” view of such a tomb is visible on the left side of the image. The shaded semi-circular area is a tomb chamber, and to its left the “cut-away” outline of a vertical shaft (partially filled with rubble) is visible.
On the right side of the image more exposed tomb chambers are visible.
Detail of MB I (2200–2000 BC) Tomb
View of a MB I (2200-2000 B.C.) tomb which was sliced in half by road building activity.
A typical MB I tomb consisted of a vertical shaft, 4 to 9 ft. [1.2 to 3 m.] deep, cut into the rock. At the bottom of the shaft one or more chambers radiated from it. Usually only one person was placed in each chamber.
To the left of the leg of the man, the shaded arched outline of a burial chamber is clearly visible – it had an arched top and a flat horizontal floor. To the left of the chamber, partly shaded, is the outline of the vertical shaft, which led down from the surface to the burial chamber. This shaft is partly filled with rubble.
Ein Samiya Cup from MB I (2200-2000 B.C.)
View of the silver cup/goblet that was found in one of the MB I (2200–2000 B.C.) at Ein Samiya (Dhahr Mirzbaneh). It is a very unique find in that the grave goods found in these tombs are usually few and simple (beads, knives, etc.).
The silver goblet is carved with a mythological scene from possibly the epic of Enuma Elish. The human figure is actually bounded on each side by dragons/snakes. The one on the left of the cup is clearly visible. Y. Yadin suggested that the scene depicts the victory of Marduk over Tiamat. Note the dress of the human. The goblet was probably made in Syria and was an heirloom.
The goblet is on display in the Israel Museum, Jerusalem.
To view more images of Dhahr Mirzbaneh, and a map, Click Here.
On a recent visit to Caesarea Maritima (April 2023), we noticed that the local authorities were working on an area at the western end of the Peristye Courtyard of the Promontory Palace.
The Peristyle Courtyard of the Promontory Palace at Caesarea. The area being worked on is on this image’s right (east) side.
When visiting Caesarea in 2023 we had a chance to see this area while it was being excavated.
The cistern/prison being excavated in 2014.
In the literature about Caesarea, there was an emphasis on the interpretation that this area was a large cistern.
The sign at the site now says:
The undergreound structure was originally used as a T-shaped cistern, however after the Herodian period it was converted into a prison. A courthouse was built to the North of which, [is] above ground. The following, inscdribed in mud by a female prisoner, was found in the cistern: “Lord [Jesus] help Procopius.” Researchers [now] believe that this may be where Paul was tried and imprisoned.” [ca. AD 57-59). Acts 24:27 When two years had passed, Felix was succeeded by Porcius Festus, but because Felix wanted to grant a favor to the Jews, he left Paul in prison. The sign also notes that Rabbi Akiva may have been kept here as well. He was imprisoned for over three years at Caesarea during the Second Revolt (ca. CE 132-135). Upon completion of the work, the public will be allowed into the prison to see the remnants.
From the sign at the construction site at Caesarea
Work underway in April 2023 on the cistern turned prison under the Peristyle Courtyard of the Promontory Palace at Caesarea.
Since Paul had already pulled the “I am a Roman Citizen” card in Jerusalem, before being transferred to Caesarea (Acts 21:39; 22:25-29; 23:27), the Roman officials, Felix and Festus, knew this. I find it difficult to believe that a Roman Citizen who had not been convicted of a crime would have been kept in an underground space such as this for an extended period of time.
We will be visiting Caesarea Maritima, as well as many other sites, on our 13-day Exploring Israel from Dan to Beersheba — October 6-18, 2023 — see Here.
Greetings! From October 15 to 27, 2024 Mary and I will be leading a 13-day trip to Israel during which time we will Explore Biblical Israel from Dan in the north to Beersheba in the south.
Hiking into el-Araj — Biblical Bethsaida on the northeastern shore of the Sea of Galilee
This trip not only includes Jerusalem and sites associated with the ministry of Jesus around the Sea of Galilee, but also some not-so-frequently visited sites such as Arad, Beersheba, Lachish (second most important Judean city after Jerusalem), Azekah (David and Goliath), Beth Shemesh (Samson), Shiloh (Tabernacle and Ark of Covenant), Mount Gerizim (Samaritan Temple), and Samaria (capital city of Ahab and Jezebel and others).
The excavator of Biblical Chorazin, Achia Cohen-Tavor, speaks to our group at Chorazin.
I will be giving mini-lectures along the way both on the bus and on the sites, drawing from my studies. I have spent 16 years of my adult life living in, and guiding, academic groups in Israel, Jordan, Greece, and Turkey (including living, teaching, and guiding in Jerusalem for 7 years).
Reading scripture at Azekah, high above the Valley of Elah—where David fought Goliath
Tour Dates and Cost: October 15 — 27, 2024. Cost: $4,990 per person in Double Occupancy; add $1,365 Single Room supplement; Includes airfare from New York to Tel Aviv and return. Other departure cities are possible at extra cost.
You are invited to join us! Carl and Mary Rasmussen
We will be led by Master Guide, and my friend, Ofer Drori. This specially planned itinerary is based upon my experience of leading/guiding/teaching over 100 groups in Israel and is structured to include as many important biblical sites as possible as we study the Bible in the Land of the Bible.
As Easter approaches, I thought I would share a few related blog posts that contain some images that some of you might find useful for Easter presentations.
View Looking East at the entrance to the First Century A.D. Tomb
View looking east at the entrance to the tomb. The rolling stone was 6 ft. [1.8 m.] in diameter and 1.3 ft [0.4 m.] thick. It was placed between two walls, each built of hewn stone. When discovered, it still rolled in its trough!
The tomb itself was in use during the Roman Period — up until A.D. 135.
In my estimation, it was the best example of a rolling stone tomb in the country of Israel. It seems to illustrate well passages from the Gospels which speak of Jesus’ tomb as being closed by a rolling stone. See especially Matthew 27:57-66; 28:1-2; Mark 15:42–47; 16:1–8; Luke 24:1–2, 10–11; and John 20:1, 11–18.
Horvat Midras (Hebrew) or Khirbet Durusiya (Arabic) is located 19 mi. [30 km.] southwest of Jerusalem in the Shephelah. The ancient remains are spread over hundreds of dunams in the area. The site dates to the Hellenistic and Roman periods.
View of the Courtyard of the “Rolling Stone Tomb” at Khirbet Midras—prior to its destruction
In 1976 part of the cemetery was excavated. Several tombs were uncovered, including, in my estimation, THE BEST ROLLING STONE TOMB in the country. Unfortunately in the late 1990’s the tomb site was totally destroyed by vandals!#%$@!!
BUT it has been reconstructed and is now visible in the Adullam Park!
To view 3 additional images of the tomb Click Here.
For images of the Church of the Holy Sepulcher see: Calvary and Tomb.
This past January we had a chance to be a resource person on a TutkuTours.com tour to Israel. I thought I would share a few pictures of some items that I found interesting.
Chorazin — The rebuilding of the synagogue continues and an ongoing excavation is taking place in one of the residential sections of the town.
While we were at Chorazin Achia Cohen-Tavor shared with our group some of the results of his recent excavation. Above is a dish from the Byzantine Period that has a Chi-Rho symbol on it.
El-Araj (Bethsaida) We also had a chance to explore the site of el-Araj — Bethsaida of the New Testament. We were particularly interested to see how the excavations of the Byzantine Church that have been described in recent news releases were progressing
View looking east at the recently excavated remains of a Byzantine Church that the excavators believe was part of a monastic complex—possibly “The Church of the Apostles” that was visited by Willibald in A.D. 725.
One of the mosaic inscriptions found at the church says “. . . chief and commander of the heavenly apostles” which the excavators believe is a petition addressed to Saint Peter.
In the center of the image, the semi-circular apse of the church is visible. The floor of the church is covered with plastic. The “mounds” that you see in the picture are sandbags covered with dirt that are holding the plastic in place. (picture January 2023)
For links regarding the excavation see the article Digging In: El-Araj in the online article in Bible History Daily.
For brief reports on the seasons of excavations see Here.
Detailed view of the apse of the “Church of the Apostles.”
Although this is somewhat “old news,” it was good to see that the level of the Sea of Galilee is much higher than what it was duriing the drought years.
On a recent trip to Israel, we had a chance to visit the Herodium, the famous “volcanic-shaped” mound that is located about 7.6 miles south of Jerusalem and 3.5 miles southeast of Bethlehem.
The extensive excavations carried out by Ehud Netzer have been continued in recent years. In addition, before and during the pandemic, many restorations have been made and newly excavated areas have been prepared to receive visitors. One such area is the “theater.”
In the image above, note the modern building on the slope of the Herodium that has three tall windows. This building protects the “Royal Box” and the theater is located just below it. See the following diagram.
A model looking southeast showing the structures on the northern slope of the Herodium.
There have been a number of interesting developments at the Herodium since I last visited the site. One of them was that the “theater” (I think odeum is a better term—given its small size) has been reconstructed.
View looking down at the partially reconstructed “Royal Theater” at the Herodium.
Herod built his small theater (possibly better called an “odeum?”) on the northern slope of the Herodium. It had a stage (skene) with semicircular rows of seating (cavea) facing it and entrances at both the top and bottom of the structure. The upper and lower sections of seating are separated by a wider horizontal aisle (diazoma), and three staircases connected them. A total of thirteen rows of stone seats accommodated an audience of about three hundred.
The theater was discovered in 2008 and a “Royal Box” with secco and stucco decorations featured in it. A modern building was constructed to protect these precious finds and for many years we could peek into the building and take photos of some of the frescos—but the building was not open to the public.
View of the small theater (odeum) at the Herodium—before the more recent restoration.
This picture was taken from the stage (skene) area of the theater. The semi-circular orchestra area is in the lower portion of the image.
In the center of the image, the semicircular rows of seating (cavea) are visible—before the recent reconstruction. A total of thirteen rows of stone seats accommodated an audience of about three hundred.
Above the cavea is a modern building with three large windows. This building protects the well-preserved remnants of the Royal Reception Hall. This was a two-story structure that overlooked the theater. The Royal Box was decorated with stucco reliefs and colorful wall paintings. The theater and room were probably redecorated in anticipation of the visit of Marcus Agrippa, Augustus’s right-hand man, in 15 or 14 BC.
On this visit, it was great to be able to enter the restored “Royal Box.”
View looking into the central room of the interior of the “Royal Chambers of the “Royal Theater” at the Herodium.
Here in the Royal Box the king could host his guests and offer them refreshments before or during the performances.
This central room was decorated with plaster reliefs and colorful wall paintings. The theater and room were probably redecorated in anticipation of the visit of Marcus Agrippa, Augustus’s right-hand man, in 15 or 14 BC. The walls have evidence of at least two layers of frescos.
The walls have three longitudinal registers. The walls of the Royal Room were decorated with wall paintings in the secco technique [painting on dry plaster] and stuccowork.
The bottom register was decorated with lively-colored frescos with “margins” that imitate Herodian masonry.
The middle register was divided vertically by stuccowork pilasters and decorated with painted ‘hanging pictures’ that were suspended by imaginary ‘strings’ and ‘nails.’ The pictures imitate windows with open shutters affording views of imaginary landscapes. These scenes evidently stressed the achievements of Augustus and Marcus Agrippa—for example, the victory at the Battle of Actium, the conquest of Egypt, etc.
The upper register was composed of stucco reliefs.
A wall fragment/painting from the middle register of the Royal Box of the theater at the Herodium. Now in the Israel Museum.
This fresco, actually a “secco,” depicts a naval battle with two ships with sails billowing the wind. On the deck are soldiers armed with shields and spears. “The painting may represent the victory at Actium and possibly the beginning of Augustus’s rule following the conquest of Egypt. The choice of theme supports the possibility that the royal Room was decorated in anticipation of the visit of Marcus Agrippa, Augustus’s second–in–command, in 15 BCE, since he was the general responsible for the victory.”
“The walls of the Royal Room were decorated with wall paintings in the secco technique [painting on dry plaster] and stuccowork. They were divided vertically by stuccowork pilasters and decorated with painted ‘hanging pictures’ that were suspended by imaginary ‘strings’ and ‘nails.’ The pictures imitate windows with open shutters affording views of imaginary landscapes.” (From the descriptions of the paintings in the Israel Museum.)
A wall fragment/painting from the Royal Box of the theater at the Herodium.
“In this painting the artist depicts a sea view along with a bull, trees, a temple, a palm tree, and a boat, recalling sacred scenes from the time of Augustus while also alluding to the conquest of Egypt.”
Audio/visual presentation in the “Royal Box.”
One of the new features that we were treated to was a 9-minute audio/visual presentation on the construction, usage, and destruction of the “Royal Box.” It was time well spent.
For additional images of the theater and Royal Box see Here.
This past November I made my first trip back to Israel since my pre-pandemic trip in January 2020. I thought I would share a few impressions and photos from our recent trip.
One of my favorite places to visit, especially for prayer and meditation, it is the Church of the Beatitudes which overlooks the Sea of Galilee from the north.
View looking west at the Church of the Beatitudes. The church was designed by Antonio Barluzzi and was completed in 1938. It commemorates Jesus’ “Sermon on the Mount” (Matthew 5–7) and more especially the Beatitudes (Matt 5:3–10). Italian sisters administer the property.
The “garden” west of the church on November 3, 2022.
Upon arrival at the church it was sad to see that another fire had almost reached the church itself—it seems like there is a serious fire almost every 4-5 years.
One of the sisters wrote:
A “miracle” saved the Church from destruction during the afternoon of July 14, 2022, when a devastating fire raged on the grounds of the sanctuary. Because of strong winds, the fire spread rapidly jumping from one tree to another and eventually to some of the buildings. After long hours of exhaustive work by the heroic crews of the firefighting aircraft and fire trucks, the fire was brought under control.
But the fire, unfortunately, caused extensive damage to the roof of our Church; our places of prayer; the olive trees on our premises; and the workers’ residence at our pilgrimage site. With the help of aircraft, the fire was eventually extinguished.
In the words of Sister Telesphoro, the director of the sanctuary, we ‘witnessed a miracle in the protection of our God.” Fortunately, there were no casualties.
In my previous blog post, I noted the video by Sergio and Rhoda that featured Achia Cohen-Tavor and his discovery of first-century A.D. pottery and coins below the floor of the 4th-6th century Synagogue at Chorazin.
My friend and guide, Ofer Drori, visited the site on October 2, 2022, and sent me three pictures he took. It is clear that the floor and other parts of the synagogue are undergoing extensive restoration.
Photo of the ongoing restoration of the Synagogue at Chorazin. Courtesy of Ofer Drori.Photo of the ongoing restoration of the Synagogue at Chorazin. Courtesy of Ofer Drori.Photo of the ongoing restoration of the Synagogue at Chorazin—the restored entrance. Courtesy of Ofer Drori.
Ofer and I will be leading a group of travelers from the Biblical Archaeology Society in October/November and will be visiting the synagogue at that time.
PS — Ofer (in Israel) and I will be leading a 13-day Bible Study Tour to Israel and Jordan in April 2023. Shoot me an email and I will send you a brochure—no obligation. (2Foot.Steps.Tours+Chorazin@gmail.com)
Many visitors to Israel will visit Chorazin which is located about 2.3 miles north of ancient Capernaum on the north shore of the Sea of Galilee. Chorazin is mentioned two times in the New Testament (Matt 11:21; Luke 10:13) and in both cases it, along with Bethsaida are cursed for their lack of belief in Jesus. The text implies that miracles were performed there, and most have assumed that Jesus would have ministered in a synagogue there as well.
The reconstructed 4th-6th century synagogue at Chorazin.
When visiting the 4th-6th century synagogue at Chorazin, typically the question is asked “where is the synagogue that Jesus preached in?” Up until two years ago, the answer was, “we don’t know.”
Recently I came across a YouTube video by “Sergio & Rhoda in Israel” entitled “Lifting the ancient floor of the cursed city of Chorazin.” It was posted on September 27, 2020 (during the “heart” of the pandemic), and features the excavations led by Achia Cohen-Tavor in the synagogue and elsewhere at Chorazin. The whole video is worth watching (23 minutes long) but for those pressed for time, the work on the synagogue begins around 9:15. There are great images, drone shots, and expert commentary by Achia. He believes, based upon excavations below the floor of the late synagogue that he has found first century A.D. remains: pottery sherds and coins.
An important 23-minute video. The portion regarding the excavation of the synagogue begins at 9:30.
There appear to be a few referals to this video on the internet, but I have not seen any official reports of this discovery and would appreciate any references to official reports.
The interior of the synagogue where the excavation took place.
For additional images of the synagogue see Here. For the remainder of the site of Chorazin see Here.
The synagogue before excavation in 1967 on a field trip led by the late Anson Rainey — in the hat above the center of the image.
Near the Western Wall in Jerusalem, there is a Monumental Hall that dates to the late Second Temple Period (New Testament era). There is some speculation that the Sanhedrin may have (occasionally) met here—see below.
View looking northwest at the northern and western walls of the hall. Click on Images to Enlarge and/or Download.
Note the finely finished stones in both walls as well as the chest-high decorative horizontal ridge/railing that separates the lower and upper portion of the walls. Near the corner of the west (left) wall note the delicately carved protruding pilaster.
I visited this all in the 1970s with Gabi Barkai and I thought he said it might be Hasmonean. But our guide said it was Herodian (37–4 B.C.) with possibly some Hasmonean elements.
I am not sure of its function but it certainly is “monumental.” In my Zondervan Atlas of the Bible I labeled it as a “Public Building” (p. 250).
View of the northeastern corner of the Monumental Hall.
In the above image note, the delicate protruding pilaster to the right of the center of the image and to the left of center note the well–defined horizontal “railing” that is about chest high that separates the lower and upper portions of the wall.
View looking at the southeastern corner of the Monumental Hall.
On the left (east) wall there are two huge doorways. Note the large carved doorposts and the huge lintels. Currently, these doorways lead to the ritual bath that I described in a previous post, but originally they may have led to something else.
I believe that the far wall, with a doorway and other openings, is secondary, and that the original hall extended farther south.
Could this have been the hall where the Sanhedrin met? If so, possibly Jesus, some apostles, Stephen, and/or Paul appeared here. (Unconfirmed speculation)
The early explorer Charles Warren called this structure the “Hall of the Freemasons (see below). Additional comments/suggestions/correction are appreciated.
Not my “cup of tea” below.
From the Gallery of Masonic Sights from Israel Hall of the Freemasons, Temple Mount, Jerusalem, Israel. Discovered and named by the Freemason, Bro. Lieutenant Charles Warren [!] during the excavations of the late 1860’s near Wilson’s Arch. Second Temple construction by Zerubbabel (536-516 BCE).
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