Category Archives: New Testament

Emperor Worship at Herculaneum Part 2

In a previous post I shared some images and thoughts on what I believe is the only completely preserved building dedicated to the worship of Roman Emperors in the First Century A.D.  I want to complete the posting of images from the main room where the statue of the Emperor was located.  In these two frescos, the Emperor is portrayed as the mythical hero Hercules!

On the left is Hercules with his club, lion’s skin, and a bow and arrows.

View looking at the north wall of the cult room of the Sacellum (chapel) of the Augustales (priests in charge of Emperor Worship).  The central panel is flanked by two slender spirally fluted columns.  It appears that there is an attempt to portray this central panel as a hanging tapestry.  On the left is Hercules with his club, lion’s skin, and a bow and arrows.  The nude figure next to him is a river deity that is attempting to snatch away Hercules’ wife, Deianeira.  Hercules is about to rescue her!  Tuck suggests that this is a metaphor for the Emperor as Hercules who protects/rescues his people.

Flanking the central piece are “windows” that look out on to the world.  Note especially the two chariots with horses in the upper two corners.

Hercules, without club or lion’s skin, is sitting nude. The female in the foreground is the deity Minerva and in the back, between the two of them, is Zeus’s wife, Hera.

View looking at the south wall of the cult room of the Sacellum (chapel) of the Augustales (priests in charge of Emperor Worship).  The central panel is flanked by two slender spirally fluted columns.  It appears that there is an attempt to portray this central panel as a hanging tapestry.  Hercules, without club or lion’s skin, is sitting nude.  The female in the foreground is the deity Minerva and in the back, between the two of them, is Zeus’s wife, Hera.  Tuck believes that this is a representation of Hercules about to be taken up to be with the gods (= apotheosis) and that he and Hera are here reconciled—Hera had attempted to kill him.  Tuck believes that this is a metaphor for the apotheosis of the Emperor—being represented as Hercules.  In other words, Vespasian, like Emperors before him, was taken to be with the gods—and thus became a god!

To view 6 images of this important room Click Here.


Professor Tuck (see below) suggests that this room was renovated shortly after the death of Vespasian in A.D. 79, early in the reign of Titus—which implies that the room was soon buried by the pyroclastic flow from Vesuvius—ca. 24 August 79.

I am indebted to the explanatory comments of Steven L. Tuck in his engaging “Worshipping the Emperors at Herculaneum,” Lecture 21 in Pompeii: Daily Life in an Ancient Roman City.  Produced by the Great Courses/The Teaching Company, Course No. 3742, 2010.

 

Emperor Worship at Herculaneum

As Christianity spread into the Roman World, one of the major, growing, cults that it faced was the worship of the ascended, deified, Roman Emperors—and eventually the worship of living Emperors.  It is well–known that this practice forms part of the background for the book of Revelation and also for many additional passages found in the New Testament.

So, where did all this take place?  To my knowledge, there is only one almost completely preserved structure known where this occurred.  It is called the Sacellum (chapel/temple) of the Augustales (priests in charge of Emperor Worship) that was excavated at Herculaneum—near Pompeii.  In this and the following post, I will share some images of this very unique structure.

View looking west at the major room of the interior of the Sacellum of the Augustales. Click on Image to Enlarge and/or Download.

This building is a large space with a central nave and two side aisles.  The four columns outline the central nave and above it was a clerestory that let in outside sunlight.  Directly ahead, on the west side is the central shrine where a statue, or bust, of the emperor was venerated.  In the foreground, there are two square pedestals attached to the columns.  On them stood statues of prominent priests that served the imperial cult (=Augustales).

View looking west into the cult room of the Sacellum of the Augustales where the deified Emperor was worshiped. Click on image to Enlarge and/or Download.

As you look directly ahead you see a vertical rectangular podium on which a statue, or bust, of the emperor was venerated.  The white, faded, paint above the podium was the latest style—based upon Neronian examples found in Rome.  The light blue paint in and above the arch was made of a substance that included lapis lazuli that was imported from Afghanistan!

On both side walls are two different frescos of Hercules—see images in the next post.  Below the frescos is barren plaster that previously was covered with marble sheeting—removed during the early tunneling/mining expeditions.  On the floor is a well–preserved marble floor—see image below.

This Latin Inscription was found on the floor of the Sacellum of the Augustales. It mentions that Aulus Lucius Proculus and his son gave a dinner to the (priests), the Augustales and to the city council at the dedication of this building.

Steven Tuck’s translation of the six line inscription follows:

Sacred to Augustus
Aulus Lucius     MEN = voting tribe
Proculus and his son Julianus
P . . . S [= Pecunia Sua = “with their own money”] [CR: compare the use of “P   S” in the Erastus Inscription from Corinth]
[Lower two lines: ] they gave a dinner to the Augustales and to the city council at the dedication of this building [= large public dinner]

Tuck notes that the name Aulus Lucius Proculus indicates that this person was a freed slave who became very wealthy and had become a priest in the organization of the Augustales (= those priests that supervised the Emperor cult).  Talk about upward mobility!

This marble floor is found in the cult room of the Sacellum of the Augustales.

Cut marble floors were very expensive! Even more expensive than mosaic floors! Note the wonderful variegated colors!

Herculaneum is a city that was located on the Italian coast west of Mount Vesuvius.  It was destroyed in August A.D. 79 when Vesuvius erupted.

Because it was buried by 50–60 feet of pyroclastic material, the buildings and their contents are actually better preserved than those found at nearby Pompeii.  It was probably 1/4 the size of Pompeii.  It is estimated that only 25% of the town has been excavated.

Some scholars have suggested that it was a small fishing village, but because of the finely built houses, and their lavish decoration, it seems more probable that it was a sea–side playground for the elite!

Professor Tuck (see below) suggests that this particular structure was renovated shortly after the death of Vespasian in A.D. 79, early in the reign of Titus—which implies that the room was soon buried by the pyroclastic flow from Vesuvius—ca. 24 August 79—and that is why the decorative elements are so well–preserved.

I am indebted to the explanatory comments of Steven L. Tuck in his engaging “Worshipping the Emperors at Herculaneum,” Lecture 21 in Pompeii: Daily Life in an Ancient Roman City.  Produced by the Great Courses/The Teaching Company, Course No. 3742, 2010.

 

New Teaching/Devotional Series

Today (Thursday 19 April) is the last day to register for @WayneStiles’ new website where you can experience virtual tours to Bible lands! Learn more: http://www.walkingthebiblelands.com


Wayne Stiles has initiated a new on–line series of teaching/devotional videos.  The first of three, dealing with “Passion Week” is now available.  Each is about 15 minutes long.

Wayne’s expertise and exegetical skills in relating the Bible and the Land to everyday life are second to none!  The content of the videos is excellent, and they are well–produced and the photography (in the land of the Bible) is splendid!

Another Son of God? Pilate’s Tiberieum at Caesarea Maritima

Pontius Pilate was the Prefect of Judea that condemned Jesus to death (Matthew 27; Mark 15; Luke 23; John 18 and 19). He is mentioned 61 times in the New Testament.  He governed Judea from A.D. 26 to 36.

The Pontius Pilate Inscription from Caesarea Maritima—now in the Israel Museum.

Pilate was facing at least two major problems when Jesus appeared before him to be tried.  The first was that he needed to deal with any potential rebellion against Rome—what else would a “king of the Jews” do?

A second problem was how seriously should Pilate take the accusation that

John 19:7-8  . . .  he [Jesus] must die, because he claimed to be the Son of God.”  When Pilate heard this, he [Pilate] was even more afraid,

Why was Pilate “more afraid” when he heard this charge?  Well, the dead “ascended” Augustus was worshiped throughout the Roman Empire as a deity.  By the time that Jesus began his public ministry there were Imperial Cult Temples (namely those at Caesarea Maritima, Sebastia, and the one near Caesarea Philippi [= Omrit])  that had been in existence for over 40 years!

And in addition, Augustus’ son, and now Emperor(!), Tiberius, was worshiped as the “son of god” (that is, the son of the deified Augustus)!  In this regard it is not often remembered that it was Pilate who built a temple for the worship of Tiberius as the “son of god” at Caesarea Maritima!  How could there be a “son of God” to compete with the Imperial “son of god?”  In addition Pilate was confronted with the potential accusation of the local leadership: “If you let this man go, you are no friend of Caesar. Anyone who claims to be a king opposes Caesar” (John 19:12).  Pilate had a “lot on his plate!”

In light of this, I invite you to check out the following description and discussion of the “Pilate Inscription” from Caesarea Maritima.


In 1961 by an Italian expedition that was excavating the theater at Caesarea Maritima discovered a Latin inscription that actually mentions him.

The “Pilate” Inscription from Caesarea Maritima

When people comment on this inscription they usually emphasize that now there is actual archaeological evidence for Pilate’s activity in Judea and that his title was “Prefect.”  This is fine,  BUT what about the word “Tiberieum” in the first line?  To what does “Tiberieum” refer?

This stone was used at least three ways.  First, it was probably a dedicatory inscription in a temple called a “Tiberieum.”  Pilate built this temple to honor the Roman Emperor Tiberius (A.D. 14–37)—the current “son of god”!  This was then the second imperial cult temple in Caesarea—the first was the (probably much larger) Imperial Cult Temple that had been built by Herod the Great (37– 4 BC) for the worship of Augustus and deified Roma!

Thus it should be noted that at Caesarea Maritima the imperial cult founded by Herod the Great was still being practiced AND that Pilate as a good governor was also promoting the Imperial Cult—adding a structure for the worship of the ruling Roman emperor, Tiberius (14–37).  All of this going on during the time of Jesus’ public ministry (ca. 26–30)!

Secondly, the stone was taken from the temple and used as part of a well–head—note the half-circle on the right hand side.  Finally, it was used as a step in the fourth century Byzantine theater (where it was discovered).

Four lines of the Latin inscription are visible.

[_ _ _]S TIBERIÉUM
[_ _ PO]NTIUS PILATUS
[PRAEF]ECTUS IUDA[EA]E
[_ _ _ _ _ ] É [_ _ _ _ _ _ _] (Taylor, p. 564)

[. . .] Tiberieum
[. Po]ntius Pilate
[Pref]ect of Judaea
[. . .]e[. . .] (p. 565)

Joan E. Taylor translates the inscription as:   “Pontius Pilate, Prefect of Judaea, [made and d]e[dicated] the Tiberieum for the (Augustan) gods” (p. 570).

For a detailed development of this topic please see Joan E. Taylor “Pontius Pilate and the Imperial Cult in Roman Judaea.” New Testament Studies 52 (2006): 555–82—especially pages 564–65.

Place of Peter’s Denial of Jesus?

Many Christian tour groups to the Holy Land will visit the Church of Saint Peter in Gallicantu. This church is located on the eastern slope of the western hill of ancient Jerusalem—south of the Old City wall, on present day Mount Zion.

View looking west southwest at the church of Saint Peter in Gallicantu. Below and to the right of the church note the excavations and the staircase the leads up and down the hill that dates to the Second Temple Period.

According to a sixth or seventh century tradition this is the site of the Palace of Caiaphas before whom Jesus was questioned (mentioned 9 times in the New Testament; Matt 26:57–68; Mark 14:53–65; Luke 22:54).  According to the Gospel accounts, Peter, in the courtyard denied any association with Jesus after which the “rooster crowed” (= Latin: galli-–cantu; Matt 26:69–76; Mark 14:66–72; Luke 22:55–65; John 18:25–27).

The church was completed in 1931 and the Assumptionist Fathers serve there.  The church is built on three levels, the bottom of which contains a series of rock cut caverns that are said to date to the time of Jesus.

View looking west at the steps that ascend the western hill (Mount Zion) from the central Tyropoeon) Valley.possible that Jesus walked on these steps.

Excavations to the north of the church have revealed a variety of rock cut remains along with a flight of steps that leads up and down the hill—it is said to date to the time of Jesus (= Second Temple Period).

View of one of the underground rock cut chambers located on the lowest level of Saint Peter in Gallicantu.

Supposedly the church is build over/near the house of Caiaphas the High Priest (mentioned 9 times in the New Testament), before whom Jesus was questioned.  According to tradition, Jesus was imprisoned here during that time and later Peter and John were imprisoned here as well (Acts 5).

The caves/chambers evidently date to the Second Temple Period.

For 16 images of Saint Peter in Gallicantu Click Here.

Bone Box of Caiaphas the High Priest

Caiaphas, the High Priest, is mentioned 9 times in the Gospels and is one of those before whom Jesus appeared before being condemned to death by Pilate (Matthew 26; John 18).  A few years ago a “bone box” (ossuary) was found, along with 11 others, in a Second Temple tomb located two miles south of Jerusalem on a hill that today is called “the hill of Evil Counsel” (John 11:49–50).  On it the name “Joseph “son” of Caiaphas” was inscribed!

The Joseph “son” of Caiaphas Ossuary. In the Israel Museum. Click on Image to Enlarge and/or Download.  See below for the inscription.

The ossuary has a slightly curved cover that is etched with designs.  The front of the soft limestone ossuary is beautifully carved with rosette and leaf designs.  Note the red paint is still visible in some places.

The bones of six(!) individuals were found inside of the ossuary: 2 infants, 1 child, 1 teen aged boy, 1 adult woman, and a man—approximately sixty years old.

View of one of the Aramaic inscriptions on the Ossuary [bone box] of “Joseph ‘son’ of Caiaphas.”

On one of the short sides, and on the back, the name Caiaphas had been etched into the stone with a nail—see the  image.  It is evident that the ossuary was prepared in a workshop, but then when the bones were placed inside the name was inelegantly scratched on to it.

The Aramaic inscription on this side of the ossuary reads “Joseph the ‘son’ of Caiaphas.”

 יהוסף בר קפא 

Most scholars believe that the Caiaphas mentioned here is the same one that is mentioned six times in the New Testament as well as in Josephus.  Ronny Reich argues that the person was named “Joseph” and had a nickname “Caiaphas.”  Caiaphas was High Priest from 18 to 36 CE and was the one before whom Jesus was tried and is famously quoted in John 12:50

For an accessible discussion of the name Caiaphas, plus others appearing on ossuaries, see Reich, Ronny. “Caiaphas name Inscribed on Bone Boxes.” Biblical Archaeology Review 18, no. 5 (September/October 1992): 38–44.

The Best Rolling Stone Tomb in Israel — Khirbet Midras

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View Looking East at the Entrance to the First Century A.D. Tomb

View looking east at the entrance to the tomb. The rolling stone was 6 ft. [1.8 m.] in diameter and 1.3 ft [0.4 m.] thick. It was placed between two walls, each built of hewn stone. When discovered, it still rolled in its trough!

The tomb itself was in use during the Roman Period — up until A.D. 135.

In my estimation, it was the best example of a rolling stone tomb in the country of Israel. It seems to illustrate well passages from the Gospels which speak of Jesus’ tomb as being closed by a rolling stone. See especially Matthew 27:57-66; 28:1-2; Mark 15:42–47; 16:1–8; Luke 24:1–2, 10–11; and John 20:1, 11–18.

MidrasMap3Horvat Midras (Hebrew) or Khirbet Durusiya (Arabic) is located 19 mi. [30 km.] southwest of Jerusalem in the Shephelah. The ancient remains are spread over hundreds of dunams in the area. The site dates to the Hellenistic and Roman periods.

ICSHMD03

ICSHMD01

View of the Courtyard of the “Rolling Stone Tomb” at Khirbet Midras—prior to its destruction

In 1976 part of the cemetery was excavated. Several tombs were uncovered, including, in my estimation, THE BEST ROLLING STONE TOMB in the country. Unfortunately in the late 1990’s the tomb site was totally destroyed by vandals!#%$@!!

BUT it has been reconstructed and is now visible in the Adullam Park!

To view 3 additional image of the tomb Click Here.

For images of the Church of the Holy Sepulcher see: Calvary and Tomb.

Click to see images of Gordon’s Calvary and the Garden Tomb.